Frankfurt 1749-1832 Weimar,was a German writer and according to George Eliot, "Germany's greatest man of letters and the last true polymath to walk the earth." Goethe's works span the fields of poetry, drama, literature, theology, humanism and science. Goethe's magnum opus, lauded as one of the peaks of world literature, is the two-part drama Faust. Goethe's other well-known literary works include his numerous poems, the Bildungsroman Wilhelm Meister's Apprenticeship and the epistolary novel The Sorrows of Young Werther. Goethe was one of the key figures of German literature and the movement of Weimar Classicism in the late 18th and early 19th centuries; this movement coincides with Enlightenment, Sentimentality (Empfindsamkeit), Sturm und Drang and Romanticism. The author of the scientific text Theory of Colours, he influenced Darwin with his focus on plant morphology. He also served at length as the Privy Councilor ("Geheimrat") of the duchy of Weimar. Goethe is the originator of the concept of Weltliteratur ("world literature"), having taken great interest in the literatures of England, France, Italy, classical Greece, Persia, Arabic literature, amongst others. His influence on German philosophy is virtually immeasurable, having major effect especially on the generation of Hegel and Schelling, although Goethe himself expressly and decidedly refrained from practicing philosophy in the rarefied sense. Goethe's influence spread across Europe, and for the next century his works were a major source of inspiration in music, drama, poetry and philosophy. Goethe is considered by many to be the most important writer in the German language and one of the most important thinkers in Western culture as well.  Related Paintings of Johann Wolfgang von Goethe :. | who worked in vienna and madrid. he was a fine cellist | the composer of rule britannia | the title page of a comic opera by antonio salieri | one of the most successful opera composers of his time,painted by elisadeth vigee lebrun | Leaf shapes |
Related Artists:
MASSYS, Jan
Netherlandish Painter, ca.1509-1575 Painter, son of Quinten Metsys. More so than his brother Cornelis Massys, who was a less talented artist, Jan worked in the style of his father, whose studio he may have taken over following his death in 1530. Two years later, though still under the age of majority, Jan was admitted as a master in the Guild of St Luke in Antwerp. Like Cornelis, he seems to have left Antwerp immediately after attaining the status of master, for he is not mentioned again in the archives. It has been suggested on stylistic grounds that he worked for a period at Fontainebleau, but this is disputed. He was, in any case, back in Antwerp by 1536, when he took on an apprentice, Frans van Tuylt. In 1538 he married Anna van Tuylt, by whom he had three children.
GREUZE, Jean-Baptiste
French Rococo Era Painter, 1725-1805 French painter and draughtsman. He was named an associate member of the Academie Royale de Peinture et de Sculpture, Paris, in 1755 on the strength of a group of paintings that included genre scenes, portraits and studies of expressive heads . These remained the essential subjects of his art for the next 50 years, except for a brief, concentrated and unsuccessful experiment with history painting in the late 1760s, which was to affect his later genre painting deeply. Though his art has often been compared with that of Jean-Simeon Chardin in particular and interpreted within the context of NEO-CLASSICISM in general, it stands so strikingly apart from the currents of its time that Greuze's accomplishments are best described, as they often were by the artist's contemporaries, as unique. He was greatly admired by connoisseurs, critics and the general public throughout most of his life. His pictures were in the collections of such noted connoisseurs as Ange-Laurent de La Live de Jully, Claude-Henri Watelet and Etienne-Francois, Duc de Choiseul. For a long period he was in particular favour with the critic Denis Diderot, who wrote about him in the Salon reviews that he published in Melchior Grimm's privately circulated Correspondance litt?raire. His reputation declined towards the end of his life and through the early part of the 19th century, to be revived after 1850, when 18th-century painting returned to favour, by such critics as Theophile Thore, Ars?ne Houssaye and, most notably, Edmond and Jules de Goncourt in their book L'Art du dix-huitieme siecle. By the end of the century Greuze's work, especially his many variations on the Head of a Girl, fetched record prices, and his Broken Pitcher (Paris, Louvre) was one of the most popular paintings in the Louvre. The advent of modernism in the early decades of the 20th century totally obliterated Greuze's reputation.
Master of Ab Monogram
MASTER of AB Monogram. German painter (active 1530s in Saxony